Sunday, September 27, 2015

Zen Meditation and Archery at the Lahaina Jodo Mission Sept. 2015

Sotoba / Pagoda at the Lahaina Jodo Mission, Maui, Hawaii
Meditation Group Photo
We began with the idea to begin the 1st Shot Kyudo Workshop with an Intro to meditation session the evening before; it quickly morphed into a Intro to Meditation for several evenings during my stay. The last couple were attended by known meditation instructors from other traditions on the Island.


Kinhin - Walking Meditation
Kyudo Instruction under the trees


Breaktime in the shade of the beautiful palms

Unexpectedly caught pulling arrows
The workshop was a great success. We ended up covering all the expenses plus (finally) a decent donation to the temple.

Thank you to all who could attend.



Monday, September 7, 2015

Kihontai - Basic Movements

Kihontai - Basic Movements:

In most kyu-dojo, I believe that after safety and information on the clothes and equipment most of us are taught the Kinhontai (basic movements) such as how to sit, stand, and bow.
My first period of training with sitting, bowing, standing, and walking was longer than most, since I'm such a slow learner. But I think I never, until now, really understood just how important this training is. At the time this seemed like just good training. This was the best time to learn these basics so that later we would be ready to shoot.
I continued to do this practice on an almost daily schedule. Than a few years ago as my knees deteriorated I let the movement of sitting and standing slip off my daily routine. Of course, I still did everything else, but this movement felt like it was hurting my ability to move more than helping it; so I let it go.
Then late last year I lamented that I couldn't stand and sit as well as I used to (imagine that if I don't train it, I can't do it, duh). But still, you'd think that after 30 years of training, I would be great at this. My knees have felt better lately (could be from the break of doing the practice, but I think not. I believe it's that I increased my walking around the block, tai chi, and yoga practices). In any case, I renewed my practice of standing and sitting back into my daily training.
The result has been a much deeper understanding of kihontai than I've ever experienced before. This practice is so much more important than I ever imagined, on so many levels of interaction; I don't even know where to begin discussing it.
Of course, we know that the tai hai or body movements we make to approach the target are just as important as the hassetsu or 8 stages of shooting we use to shoot the arrow. These two balance eachother and show eachother to us even clearer with their contrast. They also begin to interact with eachother, so one enhances the other.
I remember a Zen Priest from one of our performances saw me helping set up everything and asked, "So you do kyudo with him?" nodding to Kosaka Sensei. I answered "yes". He said, "So what's more important: the tai hai, the approach you do to the target, or the hassetsu of shooting the arrow". I answered, "Cleaning the dojo, before and after class". He responded that I was very well trained.
Cleaning the dojo, taking care of our equipment and clothes, and all of our practices are designed to heighten our awareness. Awareness of every detail that we can experience. So too with the Kihontai and Tai Hai, isn't it?
As my awareness of these basics increases, I discover that the movement of standing sitting walking and bowing is not what I thought. I thought this was just discipline training, but it is much more than that. It has also become clear that the development of the kahanshin (Lower half of the body) is the best way to support the johanshin (upper half of the body), especially as it receives the pressure of the bow. This practice of sitting down, bowing, standing back up, walking forward and backward is more than just an exercise, more than a exercise in humility, it is the exercise that prepares the lower half of the body to support the bow. We don't need push ups, we need to sit, bow, stand, and walk!
As we all know, the act of bowing brings about a feeling of humility, another wonderful realization to feel this deeply as I do this daily practice. It has kept me open in body, mind, and attitude so that this year's training has brought about more realizations than any of my previous years. Perhaps all the years are stacked on top of eachother, but it feels more like they are just lining up. Our alignment as we do these basic movements is just as key, as the alignment we use when the bow opens us. The Ikasu (enlivenment) of ourselves as we breath fully and completely is just as important here as anywhere in our lives; it makes everything happen.
The rest of the realizations that are coming to me... I just don't know how to put it into words. Perhaps it's better if I don't. I do recommend a daily practice to anyone and everyone of sitting... bowing... standing... walking. Please experience it for yourself with awareness, it's a wonderful practice. A practice beyond the words to describe, if we're open to it and allow it to transform or lives.

Friday, August 14, 2015

Depths of bows in the Japanese 'do' arts.

sesshu rei

The word to bow in Japanese is Rei. The Character for Rei means both the physical act of bowing, and also means manner and etiquette. Therefore the main physical manifestation for manners in the 'do' arts of Japan is bowing. We bow with both a humble manner and a strong manner, from our core and make this our core principle of training in the 'do' arts.

How we show our manners is dictated according to the who, what, when, where, & why we are doing something. In bowing this is the timing, spacing, and the depth of the bow.

We also have Ritsu-Rei, standing bows, and Za-Rei, sitting bows.

The 5 basic depths for bows are:
1. Shiken-Rei
2. Sessyu-Rei
3. Takushyu-Rei
4. Soushuyu-Rei
5. Goushyu-Rei

Also today we have incorporated a more small 1/2 bow called 'yu' which only bends about 10 cm from our straight up position.

1. Shiken-Rei, or what in our school we call the fnger tip bow, uses a touch of the fingers to the floor to re-inforce our ikasu (or enlivening) to allow for a stable bow. Shiken-Rei is not very deep, just bending from the tanden (core/center) and allowing the fingers to touch the floor (when in seiza 'correct sitting' on our heels) [note when we ikasu the buttocks may come off the heels slightly, but when we bow we should be sure not to increase this distancing of the buttocks from the heels]. From Sankyo [squating] or kiza [kneeling] the fingers need not necessarily touch the floor, it can be symbolic the angle of the body should be roughly the same as when doing shiken-rei from seiza.

2. Sesshu-rei, or what we call hand-bending bow. This is for us the standard bow of about 45 degree bend of the body. The hand bending part comes from the fact that from shiken-rei as we bend foward more the wrist bends to place the palm on the floor and slides forward parallel to our knees.

3. Takushu-Rei, is to open something that is closed. Until this point the hands have been along side the body, but with Takushyu-Rei the hands begin to move out in front of us, this happens naturally as we bow deeper to have our forehead (with a straight back and our buttocks down) to about 24 cm from the floor. Esoterically we speak of this bow representing a true offering of ourselves, and so we consider it the first of the deep bows.

4. Sosshu-Rei, is both hands or a pair of hand that move ever closer together as our bow deepens to about 15 cm from the floor, and is certainly a fukai-rei or deep bow.

5. Gosshu-Rei, is when our hands match or come together. Generally with index fingers touching and forming a /\ shape under our nose. Our forehead is about 10cm away from the floor. This is considered Sarani Fukai Rei or a more deep bow, and is the deepest of the standard 5 bows.



Saturday, August 8, 2015

Ikkyu 1991: Newsletter published by members of The Los Angeles Kyudo Kai

Los Angeles Kyudo Kai 1929

"Better known as Japanese Zen Archery, 'Kyudo', came to the United States via Seattle in the early years of the present century [20th century].

The word kyudo  literally translated means 'the way of the bow'. Kyudo  is knows as Zen archery because archery in Japan was deeply influenced by Zen philosophy. Kyudo is an art, a discipline, a form of moving meditation. In the past times kyudo was also called 'kyujitusu'.

Not much is known about kyudo in its first birth in this country [United States of America], but we do know it had reached Los Angeles by 1910, with scattered individuals practicing around the city [we now also have learned that there was a Rafu Kyudo Kai as early as 1908, having seen a newspaper article that referenced them with that year]. [We also now know that between 1903 and 1908 the Hawaii Kyudo Kai was formed]. In 1916, the first Los Angeles Kyudo Kai was founded by Suda Chokei.

In San Francisco in 1925, the original owner of the Japenese Tea House in Golden Gate Park asked the archer Imaizumi Wazaburo to begin instrcuting a local group in the 'Heike' style of kyudo [we also know that the style of the Los Angeles Kyudo Kai was also Heike-ryu]. The group of 40 individuals named itself Shinno Kai and practiced once a month. In the spring and summer they also presented Shinto Ceremonies in the city. In 1926 another group, the Satsui Kai, was formed by Ebina Shunshuro and Yamazaki Senkichi. An Oakland group was formed by Shiozawa Tetsushiro and Aoki Saneharu. By 1930 there were well-established group[s] practicing in San Francisco,  Oakland and Los Angeles [and Hawaii].

World War II caused a grave disruption of this ancient and solemn practice. As kyudo was considered a martial art, their  'weapons' were seized by the government. the  bows and arrows which escaped confiscation were either  burned or buried by their fearful owners [there is a great story of how Kosaka Sensei was able to recover some of these treasures, which we still have as part of our 'inheritance']. All Japanese Americans were sent to relocation camps.

The history of kyudo in the United States after the War is obscure, It is not known if any groups were formed again or practiced until 1975 when the Reverend Koen Mishima arrived in Los Angeles. As a miniser of the Higashi Hongwanji Temple, and coming from a faimly of kydoi practitioners, he reinstated the art of kyudo under the name Los Angeles Kyudo Kai [the story of how this name and legacy was offered to them by members of the first Los Angeles Kyudo Kai is quite interesting as well]. The group has been practicing continuously from that time and presently meets on Friday nights at the Nichiren Buddhist Temple in East Los Angeles. the group fluctuates between 10-20 members.

In 1989 Rev. Mishima immigrated to Australia and formed the first kyudo group on that continent in Brisbane. Presenlty his close associate since 1975, Hirokazu Kosaka, is the instructor of the group.

In May 1991, the group celebrated the 75th anniversary of kyudo in Los Angeles. [2016 they will celebrate their 100th anniversary].
Los Angeles Kyudo Kai 1991




[my own notes (by rick beal)]
Los Angeles Kyudo Kai 2009

Sunday, July 12, 2015

July 11, 2015

Kosaka Sensei discusses tea bowls.
How they're made.
How their design and coloring change through the seasons.
Their organic nature.
Their History and more...





Wednesday, May 27, 2015

Kosaka Sensei & Kyudo Instruction

Of course there was some instruction in the kyudo class with Kosaka Sensei on how to shoot.

But more than his to shoot, Sensei taught us how to look... How to listen...

'Look with our ears, listen with our eyes'. With instructions like this, from the ancient teachings, we begin our journey.

But more than this his sparse use of words made us listen. The process embedded in the dojo practice lead us to look deeply and subtly at ourselves and how fit with all around us.

It's been done like this from generation to generation for countless eons of human existence, I am so grateful to be included in the next generation...